Those of you who have been following this blog for a while know that I have written several times in the past about the value of alternative forms of representation of marketing knowledge and consumer research insights. One of the forms of representation in which I have been interested for a long time is poetry. And, for some wonderful reasons, I’ve found my poetic muse lately and have been inspired to write a lot of poetry. Much of which I hope to share with you in various forms and fora.
In this past blog entry, I presented a poem called “Stigmatic Enterprise” and speculated about whether a poem could be translated, or “transmuted” meaningfully into positive knowledge assertion in the form of propositions or even hypotheses. Here, I wrote about a memorable poetry reading at the 2010 Consumer Culture Theory conference, in which I presented the poem “Marketing Life 101″ to the dubstep accompaniment of DJ Risto Roman.
Well, this year the Consumer Culture Theory conference is back and it is better than ever. August the 16th to the 19th in Oxford England, located in the famous and historic Oxford University. And the poetry session this year promises to be one of the best ever. To honor and promote the event, I am sharing this wonderful poster that promotes the event (I have a matching one hanging in the Schulich offices, and another one on my office door). The themes, as you can plainly see, is “Clarence Clobbers Tenderly.” And really, Gentle Readers, is there a better way to clobber, if you really, really need to clobber, than tenderly?
The two other things I will offer and mention are both related to the intriguing, controversial, and I believe stimulating idea that poetry can be a form of research. This discussion has been occuring for a while in the social sciences, particularly in sociology.
In our own field of consumer and marketing research, I’d say that the three most prominent and interesting scholars in this area are John Sherry, John Schouten, and Roel Wijland. The two Johns wrote a very important article on the topic that was published in the field-leading Journal of Consumer Research in 2002. I wrote about and cited that article quite extensively in this blog entry on “iphone Haiku and the poetics of scientific representation.”
In the last several year, Roel Wijland has become an extremely importanr voice and agent provacateur in this area. A former advertising executive with a definite poetic gift, his dissertation was a wry, brilliant, and courageous piece of work that combined poetry with marketing history and analysis. Since doing that important work, he has spearheaded and organized bringing poetry into the field (alongside John Sherry, as you can see in the poster).
Roel approaches the poetic enterprise with serious intent, but a good dose of humor and fun. He is located at Otago University in Dunedin, New Zealand. As a poetry published, he has made up an invented press called the University of St. Bathans Press, which has done a very nice job of publishing all of the CCT conference poems.However, St Bathans is the village in New Zealand where he live. It has no university. And, actually, it has a population of only 5 people!
If you are interested in consumer, marketing, and brand related poetry, I highly recommend you check out Roel’s web-site, www.poeticbrandscapes.com.
And at the risk of making this a really long blog post, I want to close by saying that the styles and approaches of poetry can be extremely diverse. Ever since 1998, when I wrote and performed the Burning Man research poem “Desert Pilgrim” (available through the link on YouTube), I have been interested in experimenting with poetry that contained actual consumer data within it (I was inspired by sociologist Laurel Richardson‘s work which did this). I also attach the printed 2002 version of the poem Desert Pilgrim which was printed in Consumption, Marketing, and Culture with a number of B&W photographs. You might want to read the poem first, and then hear it performed as it was originally intended, spoken voice over video.
Last year, Stephen Gould, the master of introspection asked me to contribute something to a special issue of the Journal of Business Research. I immediately wanted to write an introspective research poem. That poem was published last year, titled “me/my research/avatar.”
That poem takes a “behind-the-scenes” look that the project of research ethnography, and uses fieldnotes, published cites, reflections and several unpublished interview questions (i.e., the questions I asked people in interviews, which are usually not published because we only publish their answers; in those questions, I chose ones which were particularly self-revealing) as the grist for my introspective poetic mill. And along the way, I invented a sort of research avatar, a rather shady and cynical being, who also has moments of stunning insight, called “Dark Freddy” (don’t ask me where I got that name, as I have no idea).
The poem from Consumption, Markets, and Culture is available if you click the citation here:
- Kozinets, Robert V. (2002), Desert Pilgrim, Consumption, Markets and Culture, 5 (September), 171-186.
I hope you enjoy the many poems and thoughts about the poetics of consumer research representation available in this post. And I hope to see some of you at the poetry reading in Oxford on the night of August 17, 2012.